Galería Elvira González is pleased to present Robert Mapplethorpe - Still Lifes, the third exhibition at the gallery dedicated to the American artist. In collaboration with The Robert Mapplethorpe Foundation, this presents, through a wide selection of works, Mapplethorpe's vision of inanimate and everyday objects that make up his still lifes. This exhibition brings together works created by the artist in New York City between 1978 and 1984. Mapplethorpe attended the Pratt Institute of Art at a time marked by artistic currents such as body art, minimal and conceptual art, which made use of photography detached from its formal or aesthetic side. This period was also characterized by a strong return of painting, in which the use of the photographic medium was notably reduced. When Mapplethorpe evolved from collage and began to use his Polaroid camera as his primary artistic practice, the genres "art" and "industry" were separated under the categories "high" and "low" culture. The photographic technique was linked to merely @galeriaelviragonzalez @galeriaelviragonzalez @GalElviraGonzal commercial purposes and dependent on the trade. His development as a photographer coincides, thus, with a general rise of kitsch culture within the cultural consciousness, evidenced by the widespread exhibition of objects and attitudes reimagined as luxurious and simultaneously attainable for all. In this context, Mapplethorpe rescued the formal amplification that photography allows and incorporated it into its conceptual facet. Raw and direct images of sadomasochism combined with the most meticulous compositional direction, pure sexual acts with the most exact pictorial classicism, a simple flower with the most exaggerated sensuality and eroticism. Mapplethorpe's poetics demonstrated a total fusion between art and life, in which he often placed his own reality at the center. This show delves into Mapplethorpe's special sensitivity towards the object, which he expressed from his very beginnings as an artist, when his work could have been considered new-dada style. He claimed to consider flowers, for example, the same as his subjects, rather than as pretexts for formal exhibition. He humanized elements with mysterious and dark aspects until they were endowed with an unpredictable erotic claim. In these exhibited works, we can appreciate his capacity to find an artistic dignity, equally, in a doorknocker, a fish, of a or a male sexual organ. Since his death 30 years ago, there continues to be international interest and exhibitions of his work. Mapplethorpe left a vast legacy to be explored which today still survives as radically contemporary. This exhibition emphasizes the artist's intimate relationship with objects, flowers and everyday scenes, opening the way to investigate his work with an unprecedented perspective in Spain.
